Audio-visual concert performances synchronize an audience's heart rates
Anna M. CzepieliD, Lauren FinkiD, Mathias ScharingeriD, Christoph SeibertiD, Melanie Wald‐FuhrmanniD, Sonja A. KotziD
Abstract
People enjoy engaging with music. Live music concerts provide an excellent option to investigate real-world music experiences, and at the same time, use neurophysiological synchrony to assess dynamic engagement. In the current study, we assessed engagement in a live concert setting using synchrony of cardiorespiratory measures, comparing inter-subject, stimulus-response, correlation, and phase coherence. As engagement might be enhanced in a concert setting by seeing musicians perform, we presented audiences with audio-only (AO) and audio-visual (AV) piano performances. Only correlation measures were above chance level. In comparing time-averaged synchrony across conditions, AV performances evoked higher inter-subject correlation of heart rate (ISC-HR). However, self-reported engagement did not correspond to synchrony when averaged across music pieces. On the other hand, time-resolved analyses show that synchronized deceleration-acceleration heart rate (HR) patterns, typical of an orienting response (an index of directed attention), occurred within music pieces at salient events of section boundaries. That is, seeing musicians perform heightened audience engagement at structurally important moments in Western classical music. Overall, we could show that multisensory information shapes dynamic engagement. By comparing different synchrony measures, we further highlight the advantages of timeseries analysis, specifically ISC-HR, as a robust measure of holistic musical listening experiences in naturalistic concert settings.
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