A specialized inhibitory function sharpens somatosensory hand representation and enhances the production and perception of fast multifinger movements in pianists
Masato HiranoiD, Yudai KimotoiD, Sachiko Shiotani, Shinichi FuruyaiD
Abstract
Accurate control of fast, coordinated movements across multiple body parts characterizes experts skills, such as playing musical instruments. While performing such skillful movements, the somatosensory system is challenged to successively and in parallel process a large amount of somatosensory information originating from different body parts within a short period. Over decades, it has been posited that the cortical representations of distinct body parts are more isolated from each other in trained than untrained individuals. Several recent studies, however, have re-examined and failed to replicate it. Here, we provide compelling evidence that expert pianists possess a unique inhibitory function that isolates the somatosensory processing of different body parts in the somatosensory cortex (S1). A behavioural experiment demonstrated a superior ability to perceive fast multifinger movements in pianists than musically untrained individuals, suggesting the specialized neural process of somatosensory information originating from multiple fingers within a short period in pianists. A series of neurophysiological experiments demonstrated that pianists have a unique inhibitory function in the S1, which was activated by weak electrical stimulation to the ulnar nerve. This stimulation also increased the representational distance between fingers, which was assessed based on cortical activation patterns elicited by the passive finger movements. This indicates the strengthened independence of the individual finger representation in the somatosensory processes specifically in pianists. This stimulation also augmented both the perception and execution of the fast and complex multifinger sequential movements. In nonmusicians, neither the inhibitory effects on the somatosensory process nor enhancement of the perception of multifinger movements was induced by this stimulation. Together, these findings provide the first evidence of the experience-dependent plasticity of inhibition of the somatosensory system, which highlights its pivotal role in the isolated somatosensory processing of multiple body parts in trained individuals and enables them to control fast and complex multifinger movements.
02 /Specification & Classification
Click any tag to browse matching papers- Citations
- 7
- FWCI
- 3.40
- Field percentile
- top 8%
- Organism
- Assay
- Approach
Reproducibility ledger
Nobody has reported trying to reproduce this paper yet. Did you replicate an experiment or run the code? Your report saves the next lab a week.
Sign in to file a reproducibility report.
Related papers
- Multisensory interactions on auditory and somatosensory information in expert pianists
Masato Hirano, Shinichi Furuya·Scientific ReportsPeer-reviewed·Jul 22, 2022
- Robustness and adaptability of sensorimotor skills in expert piano performance
Masaki Yasuhara, K. Uehara, … Shinichi Furuya·iSciencePeer-reviewed·Jun 27, 2024
- Neuromuscular and biomechanical functions subserving finger dexterity in musicians
Yudai Kimoto, Takanori Oku, Shinichi Furuya·Scientific ReportsPeer-reviewed·Aug 21, 2019
- Plyometric training enhances strength and precision of the finger movements in pianists
K. Muramatsu, T. Oku, S. Furuya·bioRxiv·May 16, 2022
- Use-dependent plasticity enhances nociceptive and non-nociceptive somatosensory cortical responses in healthy individuals
Anna M. Zamorano, Boris Kleber, … Thomas Graven‐Nielsen·European Journal of PainPeer-reviewed·Nov 17, 2022
- Back to feedback: aberrant sensorimotor control in music performance under pressure
Shinichi Furuya, Reiko Ishimaru, … Noriko Nagata·Communications BiologyPeer-reviewed·Dec 16, 2021