Author

Lucy Wight

Aston University

Listed by name: these papers carry no ORCID for this author, so different people with the same name may be mixed together.

Biology Disciplines

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Neuroscience· 2

Signature Assays, Organisms & Methods

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Assay:electronic health records· 2 Organism:human· 2 Approach:statistical model· 2 Approach:benchmark study· 1 Research Focus:benchmarking· 1 Research Focus:cell type annotation· 1

Frequent Co-Authors

Anne KeiteliD· 2 shared Christian KeiteliD· 2 shared Ahren B. Fitzroy· 1 shared Alexandre Celma-MirallesiD· 1 shared Cecilie Møller· 1 shared Chu Yi Yu· 1 shared Claire PelofiiD· 1 shared Cyrille L. Magne· 1 shared

Activity by Year

2023-2026 · peak 1/yr

Co-Author Collaboration Network

10 top collaborators · 38 mutual co-author links

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2 shared papersNeuroscience

Anne KeitelORCID

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Author profile →

2 papers

Recent·Most cited

Registered Report: Replication and Extension of Nozaradan, Peretz, Missal and Mouraux (2011)

Karli M. Nave, Erin E. Hannon, Joel S. Snyder, Emma Alexandrov, Sarah C. Allen, Fernando Barbosa, Mara Breen, Alexandre Celma-Miralles, Thibault Chain, Joshua R. de Leeuw, Fernando Ferreira-Santos, Ahren B. Fitzroy, Ningyao Geng, Sean A. Gilmore, Reyna L. Gordon, , Elana M. Zion Golumbic

This study replicates Nozaradan et al.'s 2011 findings on neural activity during imagined beat perception, finding smaller effect sizes and no reliable replication of main effects.

Advances in Methods and Practices in Psychological Science · Oct 1, 2026Peer-reviewedNeuroscience

Cortical and behavioural tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise

Anne Keitel, Claire Pelofi, Xinyi Guan, Emily J. Watson, Lucy Wight, Sarah Allen, Iris Mencke, Christian Keitel, Johanna Maria Rimmele

This study examines how cortical tracking of music rhythm is influenced by pitch predictability, expertise, and enjoyment, showing different processing regimes for tonal and atonal music.

bioRxiv · Oct 15, 2023 · PreprintNeuroscience